That Floating Poo Was Far Too Meaningful! It's the Television Disappointments of the Year.

Looking back, we reflect on the television offerings of the past year, a handful of series stand out not for their excellence, but for their spectacular shortcomings. From awkward sequels to confusingly poor documentaries, here are the programmes that left us utterly bewildered or just reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Burdened with dreadful writing, painful arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to find its footing. Briefly, as the final season began, it looked like it had at last hit its stride. Then came an episode all about Seema’s natural deodorant. Little surprise the creator declared this would be the final season. It ended on a bum note; the closeup of Miranda’s loo full of poo was just way too symbolic. Yet, fans certainly found joy dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who couldn't release a small sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the least of this drama's problems. The subject of a very rare no-star review, it was hard to know where to start listing the flaws. The hilariously wooden dialogue? The mind-numbing glorification of affluence and consumption? The seemingly deliberate parade of tropes? Acting so bad they felt borderline malicious? Let’s just say “all of the above” and never speak of this series again. However, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d truly have gleaned it from this three-part docuseries which chuckled along at Sheen’s various bouts of reckless hedonism while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any pity this show might induce should be saved for the people who have had to endure close contact with this charming but flippant narcissist.

The Supercomputer Drama

Of course we understood it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Shady figures meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t endure the ignominy of having to accommodate baffling accents. But there were plenty of other problems. Primarily that it was just really dull; a dispute over drug-selling territory between various cockney picaresques which felt rather simplistic.

With Love, Meghan

Considering the extent to which she grinds the gears of the nation’s performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various forays into twee lifestyle as intentional statements. But then you watch them and are forced to concede that actually, they might have a point. It’s like watching a homeware magazine animated; a poster for wine o’clock with delusions of grandeur; a parade of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “tips” you’ll not remember instantly. All underpinned by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about regarding Victoria Beckham and her struggles with vocation, identity, self-worth. But for some reason, this three-part series chose not to say them. Rather, the viewing was like reading a sales catalogue. She obviously has good reason to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any helps with this guarded non-event of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality overseeing her estate. What more could you ask for? As contestants competed, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too complicated to detail what exactly was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up reeking of a production that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The pressure was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of famous friends involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a single joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, slightly stylised farce to inevitably, real-life horror. Twisted? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the star … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the verge of a breakthrough that could destabilise society? No! This globe-trotting thriller about secret services targeting – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality notorious for sexual exploits as she prepared for her biggest feat yet. What on earth would motivate her? What we craved was way more examination of her true psychology, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to drag her son out of the queue. What we got was disturbing imagery and absolutely no interrogation of her notoriety whatsoever. And to think, the documentary-maker has a teenage daughter too.

John Reynolds
John Reynolds

Logistics expert with over a decade of experience in supply chain management and tracking technologies.